berlins new hottest residents eric volta & sebastian voigt team up once again, this time bringing their infectiously deep and dark edge onto the visionquest imprint. with intoxicating dreamy synths, title track words and chance opens up into real groover with the seductively haunting lyrics from rising artist forrest adding a new dimension. on the flip one quarter of the visionquest power force lee curtiss takes the reins to deliver a chugging dancefloor ready remix with effective play on the vocal. eric volta then goes solo with one last more? riding out through rolling percussion with beautiful textures

introducing the house of 12 vol.2, also including some new artists on this one. a1 is with martin bell, uk, the man behind all those videos on youtube about >how to make house music with soul<. a jazzy house raw tune, proper sound for a proper dancefloor. a2 is a mysterious band from croatia, rare people house brand, all stuffed with vintage gears as well, presenting a house/disco song with a fucking good syncopatic crescendo and some hypnotic vocal. b1 is an italian guy, jacy, and his talented attitude to resume a disappeared vibe from old italian house from the early 90s, mixed with a new touch, so its not revival, its a new life about that genre!! b2 is the worst of the band, as usual, deep88, here with a raw-all-played-track that hasnt seen any sequencer, just a multitrack tape overdubbing and mpc.

die ostfunk 39 präsentiert mit dem house shooting star rob makzem einen knaller mit 4 deepen vocal house tracks, wie man sie von der machart auch schon in den frühen 90ern im planet oder e-werk gehört haben könnte, nur dass diese tracks brandneu und superfresh daherkommen.

west midlands pair ultra knites touch down with the debut release on their own eponymously titled label. got to release has already been described as a future classic with its distinctive warm pads, vintage bassline and vocal hook while ny sleazd is the choice track for peak time dancefloor destruction. the b side takes things deeper underground providing variety with two more chord driven cuts, flanged synth stabs and harmonised basslines. all delivered on heavyweight 180g vinyl

crucial electro 4 is a ground-breaking album as the tracks featured include classics featured on the original electro albums and also other monster electro tracks that we did not include on the original electro albums. as well as including the full length original versions, we have included re-edits of key tracks which are exclusive only on crucial electro 4! many of the tracks on crucial electro 4 have not been available for more than 2 decades and can only be bought from discogs or similar sites on scratched or worn vinyl for sometimes silly money! we have got hold of many of the original master tapes and have re-mastered each track to the highest quality, an audiophiles dream. add to this the exclusive street sounds re-edits and you have an album that is an essential buy for any street sounds and electro fan. the double vinyl lp will include the full length original versions except where there are exclusive street sounds versions, in which case these will be used. only 500 limited edition double album vinyls (180gm heavyweight) will ever be pressed!

dj support so far: tensnake, deetron, huxley, joris voorn, ben westbeech, george fitzgerald...
having produced some stellar jams for labels like somethink sounds, and giles petersons brownswood, eliphino aka tom wrankmore, debuts for hypercolour this autumn, opening up the labels new term with this solid two track release. i dont care opens the account, all chopped up rnb vox and rolling beats, wrapped up in a super smooth melody. already road tested by the hypercolour firm over the last few months, this deep garage vibe hits the sweet spot for sure. on the flip, understand further plunders eliphinos love of rugged garage beats and an ear for a catchy hook. a feverish interplay of vocal chops, keys and organ stabs keeps up the ante, with some decidedly trancey synth parts ramping up the 90s house influences here, and once again a cut that most definitely brings the heat to the dancefloor.

dood, the second single from claude vonstrokes forthcoming album, urban animal. dood is inherently dirtybird and the one youve been waiting for if you were expecting something nasty from the project. the heart-squeezing booty-bass-line smacks instantly, while the rumbling drawl of the stoned vocal perfectly encapsulates vonstrokes witty spirit. the track is an homage to the time claude spent in los angeles during the production of the album and really captures the fun, dark edge of that sprawaling so-cal metropolis.

fast-rising rebel queen francesca lombardo is back on crosstown with her seductive new single ‘what to do featuring remixes from infinity ink, matrixxman and a luca cazal dub. showcasing francescas undeniable raw talent and pure, fluid vocal flair, what to do is another example of the producers sublime song composition in an electronic framework. the sultry mood evoked by francescas voice wraps around the infectious melody as spooky ethereal tones rise and fall with the subtly driving groove. infinity ink strip down the elements with mechanical precision, injecting some darker bass and a more solid kick. matrixxman revels in the twilight zone and delivers an alternative trippy tapestry of jagged synth stabs and melodic bleeps with only waves of the vocal. luca cazals dub is a perfect late night builder with added sonic textures

1984 bay area boogie funk holy grail reissued for the first time. prince-infused vocal stylings with over-the-top drum programming and unique synthesizer work. a true masterpiece of self-released 80s funk

daniel steinberg cheats on his own label imprint arms and legs and gets down for a wild romance with kittball records. the result: 3 bastard babies that will turn the worlds dance floors upside down. green cash is a swingy groove monster with a super cool vocal on top

oh so coy unleashes its second 12inch with a deep vocal number from pete griffiths, aka yunome. petes second outing on oh so coy adds to his rather tasty 2013 release schedule with forthcoming releases on the well respected tug underground and something different records

geddes first single is impressive with the title track remedy sure to be a pinnacle in many dj sets. remedy is laced with house rhythms and uses a melodic synth and stabs to create a tough house groove before the vocal gives the track the unique flavour and character geddes can produce. shout sleazily rolls along being joined by different instruments to create a funky club track that will turn dance floors upside down

the manuccis mistress label gathers pace, looking to nottingham for their fourth release in the shape of the lost sessions ep by cassio kohl. apparently moved to sign up kohl for a release of the back of a mere 15 seconds of first hearing the producers debut ep for amadeus records, the three tracks here fully justify such snap decision making from the manuccis mistress big cheeses. kohls sound is a classic take on the deep house template, showing both a talent for raw emotion and clinical production as well the sort of hooky vocal samples and epic lead synths that immediately grab your attention.

nice price deal !!! keeping the spirit of sf alive, laidback yet sultry, accessible yet subversive, layering vocal murmurs over lacquered breaks & chunky bass. comes in two versions by schneezy and tee cardaci of 2 block radius and a remix by severino panzetta (horse meat disco). hand numbered with gold foil stamp, download code included.

dionne is a one of a kind rarity. osunlade pulls and draws from the lovely days of old, paying homage house music as it once was, when vocal edits were the vibe and pulse of an emerging sound. with traditional bata drums, filters that would put u in the mind of classic nick holder an just good ole fashioned groove on top of groove. the b-side is a ode to the bossa sound with a pulsating heart beat, funky melodies and smooth rhodes topped with a quirky yet fun vocal asking the question *what gets u high*? its music here that gets us high. we hope the same for u.

future ghetto output by mr. corcos quite french filtered bangalter inflected house inspired, but remoderned into a fresh & organic production: buzzing synths, rotative pannings, high pressurizedpumping sound, with a pretty unique esthetic and powerful result.on the a side you have the vocal ironic version of *reliable & immature*, and the instrumental extremized immatool version for quicker djs. on the b side two special revisitations neverless than detroits last man standing & soundvisionary gari romalis. totally in the spirit of the original both garis versions are fresh & bouncy, raw and driving. be childish on this one!

visionquest 033 is brought to you by the unique sonic voice of hamburg trio wareika, who weave a distorted jazz looseness into the pulsing and ever-evolving analogue framework of madame scorpion. a teasing raw live composition with a tribal heart, the undulating percussive groove rolls beneath haunting strings and an expanding soundscape until space opens up for a rising melody and florians deep absorbing vocal. veteran german house producer henrik schwarz turns in a magnificently wonky remix on the flip.

following on from big releases by the likes of cherie lee, the storming danse club records are back with another big house classic that comes complete with on point remixes from dutch tech house hero lauhaus, label bosses brodanse plus bass culture alumni john jastszebski whos version will be vinyl only. kalishas original is a classic house beat released on n sync inc back in 1992, but it still sounds hugely on point. with garage inflected beats, grainy, catchy percussion and pristine chord stabs it is an ebullient jam that brims with personality. the recognisable vocal samples help take it to the next level and mean it cannot fail to fill dancefloors everywhere. updating the track for modern listeners are the three remixes.

higly limited to 111 coloured copies equipped with a silkscreen printed / numbered insert - vinyl only! adalberto is finally releasing his stunning deep chicagoish >love-theme< on acidicteds black labeled dj-tool series. the extented version of >let love come home< comes along with another unreleased dub-version plus bonus vox for your dj-pleasure!

vinyl only! adalberto is finally releasing his stunning deep chicagoish >love-theme< on acidicteds black labeled dj-tool series. the extented version of >let love come home< comes along with another unreleased dub-version plus bonus vox for your dj-pleasure!

ex versions is a conceptual disco band, that plays edits and mash-ups with synthesizers, electronic drums and bass guitar. the sound is deeply rooted in the tradition of jamaican music production, early discorecordings and todays party sound. >from studio 1 to studio 54<

limited to 200 copies
- incl federico molinari remix
- ama rec is ray okparas own imprint

triple p: pimprinella proudly presents! we are happy to show you our 2nd split release! this time we picked up sasch from steyoyoke recordings and our residents freiboitar with an amazing vocal track on b1. pimprinella008 is the first release without a remix, because we think that these 4 weapons are strong enough! do you think so too?

the summer might be almost over, but groovetraxxs is just getting started with an impressive vinyl debut. label boss le babar teams up with fellow belgian pat lezizmo for a delightful piece of underground house music that sets the groove and gets you going on the dance floor. deep basslines, fresh drums and a simple melody are some of the ingredients to *another love*, but it is that oh so special vocal hook that really sets the mood. on the flip, two remixes complete the already-impressive 12 inch. golf clap give the track a more laidback-vibe with their trademark classy smoothness, while scott diaz turns it into a never ending pumping beast, perfect for those peak time moments. this is a release you cant afford to miss!

signed to rebirth, the original has been mixed and remastered for a proper single release in 2013.the package also features remixes from andres, full intention and friend within

supported by: ryan elliott, ben klock, dvs1, dustin zahn, andrew grant...
edec presents its 10th release - the heat - with three dance floor burning cuts from jon hester. lights down: tough tom-driven rhythms and a resounding vocal hook set off a soaring synth crescendo. heater: big rig classic techno vibe with a huge synth line, ricochet drums, and a break that brings the heat. tension wire: enveloping kicks, booming percussion, and sparking claps are met with a surge of energy for electric rooms.

ltd summer sales - nice price
a retrospective tone of synthesizers reminiscent of ymo, a bouncy rhythm with the structureof click house, a familiar vocoder vocal, a nostalgic melody sense of 80s disco pop, the title track, >you are always on my mind< is just like giving you the answer of the idea if ymo covered daft punk >one more time<. it was the tune heavily played for several music scenes in japan when the album was released, and immediately became a favorite track for djs but has never been released

dixon cites tim hecker, autechre and wolfgang voigt as influences and this ep is as equally diverse. we begin with edge of the universe , an enigmatic techno experiment. tight hats and snare work give it an almost jackin feel whilst subtle bumping subs and cryptic vocal chops decorate throughout.

kez ym (ragrange records/faces records/yore records): deep jazzy atmospheric grooves. motec of eve white(contentismissing/perspectiv rec./ballad inc.): pure deepness on both sides. the track i believe (club mix) comes rough and soulful with a catchy vocal cut

third vinyl release on frole with james barnsley from leeds. want to be is a deep house track with strong vibe and catchy vocal. including fantastic mixes from the legendary chez damier and the italian samann (traxx underground)

the release kicks off with title track find my way which features exciting young vocalist, ria morans heartfelt tones. cade opts for swinging 909 drums and a hooky bass-lick as the driving force, while morans voice sporadically eases in and out of the groove and understated chord stabs and tension building strings fuel the musicality, resulting in a classy, deep-house workout. up next is dr. fox, embracing a similar deep, contemporary house aesthetic, with saw-wave bass hits, cosseting pads and hooky vocal snippets acting as the fundamental elements of the cut, cade then plays on subtle variations in the groove throughout its near seven minute duration, to maintain an evolving dynamism and enticement. entering the latter half of the single we have ghostryder up first, cade opts for a more upfront approach this time, bringing busy drum programming to the forefront, alongside sweeping synth tones, a tom-driven bass line and dubbed out vocal licks.

limited nice price action
- enemy records artist decimal returns, offering the second release in his imaginative impulse control series. picking up where impulse 1s obscuro left off, main molecule experiments with mixing and synthesizers to explore new modes of climax and sustainment. an upbeat tempo and playful use of vocal samples and varied clanking percussion elements make this is a sure fire crowd pleaser for peak time sets. vitruvian lamb, a minimal techno piece with a bubbling groove, has an eerie breakdown where little more than a single chord rises and falls to build tension, captivate, and create a kind of subdued intensity, the perfect fuel for the afterhours fire

- limited nice price action
- >tweekers< got the hype it deserved, achieving single of the week in dj. now, in new full five piece freaks band format, >tweekers< gets an official release on its mother label, mff. this 2007 version features freaks new

following the success of the consumer ep by fellow label owner james johnston comes the praise ep by alex agore, and its a true return to form for him on no matter what. the record opens with the title track >praise< - an inspired tribute to gospel music, keeping all the soul but reimagining it into something more infectious. uplifting keys combine with vocals that will have you trying your best to sing-a-long, over a bass groove that holds it all together. >falling< is a slower affair, with its dream-like chords, airy synthwork, cowbell hits and seamless hats. a perfect track to start a night or to end one. the b-side completes the package with two undeniable house jams. you will soon realise how much you like >theres no love< when its skippy vocal is stuck in your head, hours after hearing it for the first time. >i can feel you< closes out the ep on a deeper note which will have you thinking of moments when the sun is about to rise, yet the night is far from over.

rsi is a new label affiliated to the tusk wax empire, and for their first release they look to the unexpected choice of the posthuman duo of rich bevan and josh doherty. hecatism sees the pair wander into deeper corners than their music is usually known for, trading electro breakbeats for a mid tempo production filled with resonant textures and vocal chunks that could nominally be described as house, while helioshock sees them break out the 303 for some heady acid grooves. the remixes of the title track come expertly chosen also, with disco bloodbath resident damon martin taking the track even deeper into something approaching balearic groove, and pork intl, who adds a distinctly more interstellar flavour to the original with its danny wolfers-style analogue house chords.

dj rocca kicks off his new release with a bouncy, deep and machine driven track laced with occasional synth stabs and highlighted with simple but effective percussion. next up is a wonderful track weaving in out of a harmonic house theme and a synth heavy banger. this tune will definitely drop some jaws and raise some eyebrows on the dance floor with dancers mesmerized by the lightness with which rocca switches up the game in one tune. to finish up the ep the b-side serves up a house heavy theme with a slightly distorted vocal and a more psychedelic slow jam perfect for the next late-late session.

first up is dankles *isabigting*. dankle has been steadily making a name for himself over the past couple of years, as part of offmenut records, for his solo production and as one half of phatworld, alongside tich from the squire of gothos. *isabigting* is straight up mutant bassline, with his warped, glass-like bass and hip-hop vocal.

the follow up to the coveted ghetto track from jody fingers finch brings two fantastic remixes from chicagos derrick carter. on the a-side, the bhq acid vocal mix finally sees its release and delivers a straight up jack track with the instrumental on the flip.

hey shorty girl you looking so fine, can you tell me what you do… she said daddy can i dance for you, daddy come and watch me juke.
courtesy of slug one entertainment, chi town house hero dj slugo drops an e.p of new and unreleased ghetto work outs on thug records. live and direct from the south side of chicago, work tha hoe, all purpose pussy & booty clap are signature dj slugo jack tracks. watch me juke, the lead track on this record is a footwork anthem and features vocal arrangements by edgar big gemini porter from the group men at large and kendall moore a/k/a k scrilla. artwork inspiration from the originator dj screw rip, labels designed by daniel crocetti. if you aint got no footwork just sit back and feel the beat. too hot to handle.

brazilian foursome funky fat are back with an unmissable summer release . the original ‘jealousy’ is a funk-fuelled ride of unbridled energy, solid grooves and seductive vocals. that shaping up to be another huge release for hot creations funky fat were first seen on the label with the ‘masochist ep’, their joint venture with fellow brazilian stars digitaria, which received critical acclaim across the board for its fresh fusion of electro, disco and pop. fans of the release included the likes of solomun, sasha and claude von stroke. hot creations label boss and hot natured member jamie jones delivers a killer remix of ‘jealousy’ for late night action, cutting the vocal into snippets and working around the infectious bassline with his own crispy hi-hats and rolling drum grooves.

quality loud-pressed reissue of it s on by wizard, an irresistible slab of ultra-rare bad-ass boogie from 1982. hailing from gastonia in north carolina, the acclaimed and highly-collectible chocolate cholly s label produced a slew of top-class funk and boogie 12 inches and lps in the early 80s and this is no exception. a rocking synth-laden dancefloor bomb boasting a truly sleazy squelching bass, slamming drums and a great vocal, the rarity of this hugely desirable track has pushed prices for the original sky-high. grab a copy while you can - essential!

the middle son of kevin master reese saunderson with a techy detroit house monster !!

keinemusiks rampa teams up with one half of azari & iii vocal section syf (starving yet full) for the follow up the hugely popular *everything* release last year. *where did i go wrong* is rampa at his best combining amazing underground dance music with stunning vocals. on the flip the rampa club mix beefs up the percussion for the main rooms.

following up his groovin ep, french house producer kool vibes releases his second ep, time & chances, for his own kv label. stepped rhythms, phased hats and soul-grunting vocals in *get u down* make for a lush and playful take on four-four french-tipped house, while *high up* features short sustained rhode stabs and 90s vocal shouts. *time & chances* is a little rougher in its musicality and drum processing, adding some jazz elements, whereas traditional house combos come to the fore in *something i m feelin*, as chords and crashing hats lock in and out of each other with electric flow.

rhythm plates re-emergence through their pressed for time label continues apace on this second release, a split 12 inch that pairs a new cut from matlocks finest with solo productions from ant plate as yse and yse saint laurent. hissy warehouse beats, simple chord vamps and rapturous oh-vocals characterise yses dryish yet muscular 99% invisible, whilst plates yse saint laurent contribution when you love me pairs some r&b vocal sampling with drawn out synths and wispy percussion placed on top of a grooving bassline similar to bernard badies 09 mojuba hit move to the beat. rhythm plates submission, i think i ve dreamed this before adds a warming calmness to the ep, allowing a spirited synth line to traverse its arrangement like a geisha float-walking through an japanese garden of snowy arpeggios and moss covered basslines.

victor simonellis groove committee alias inspired much of the upbeat vocal house we hear today thanks to seminal releases on nu groove records in the early 90s. simonellis *i want you to know*, from the eponymous ep released in 91, enjoys a rerelease and remix overhaul on the upstart deep down slam label. inner senses knows the truth mix boosts the overall presence of simonellis original, by reinforcing the drums, hats and chords with deft touches of neoteric sound design, while deep down slam label-head washerman opts for cut up and interspersed vocals and loopy instrumentation in his mix. french house ball of fire kool vibe, turns up the heat - and punch - in his chord riffing remix, paying homage to a originator that has no doubt influenced his own productions.

from the soul-stirring opening strains of ex friendlys sublime start to the people are looking at you imprint, it is clear that the emerging nottingham-based producer has a gift for music that travels further than mere surface physical response. in a scene littered with disposable vocal turns, the simple poetry of rich medinas narrative that runs through journeyman resonates perfectly with the yearning strings and low-slung, bass-rich groove that come to define this exquisite approach to deep house. jonno & tommo hone in on the more rhythmical elements with their own dub of journeyman as a clearer club-ready intent meets with the psychedelic potency of the aqueous sound effects and that ubiquitous string hook. whether reaching for a more meaningful dimension to add to a set, or to simply drift away on the cradling nature of the music and its message, it is clear from the outset that this is music built to last.

a bunch of bubbling uk deep house players line up on introducing newington, a new label of the same name that is clearly fond of the n16 postcode with vocal house on the menu. ejeca, the irishman earmarked as the next bicep, keeps up his relentless form this year with the opening track robodrum which is a playful shuffling little house number that rotates between stabbing vocal samples and piercing chords. moving south of the irish border, dublin based frank b kills it with trieste a wonderfully warp cut that sounds like it has been recovered from a dust filled dat tape. london types jack fell down take a cleaner, but no less infectious approach on for you whilst midlands type tom flynn rounds it out with the deep and bouncy going on.

coming correct from deep within the london scene, jonno & tommo consummate their production partnership with a return to ornate to delve further into the hypnotic, soulful end of the house spectrum. close the door stretches across the a-side of their new release, the tough demeanour of the drum-heavy intro giving way to a serene pad arrangement, setting the tone for a starlit workout bolstered by an infectious hook of dusty vocal and subtle sonic decoration that accentuates the groove. small stone represents a more reflective mood on the flip, steadily feeding in reams of rhythm and melody before fully blossoming into an equally seductive, bumping jam laced with a perfectly pitched acid line that nestles into the cosy confines of the track.secret weapon of the capitals underground house fraternity, miles sagnia steps up with a simmering remix of small stone that keeps the tension high and the textures roaming through a decidedly futuristic soundscape, while still retaining the ethereal tone of the original.